2020 | Experimental Movie | Colour | No Dialogue | HD | 4m59s
#Micro Narratives #Projection #Meditation
讓聲音成為主角
聲音並不只是聲音。由頌缽散發出的聲音成為無形的帶領者,引領人們穿梭於頌缽自身、意識、靈性的過渡、人的存在和其思想。每個世界彼此重疊,界線相互融合;不同的影像和事件在模糊的時間線上發生,令人難以分辨時間、地點及下一刻的展開。因果關係的離場,摸不清實況⋯⋯是夢、精神的景色,也是靈魂出竅的過程、一種沉浸於聲畫的體驗。
Sound as The Protagonist
Sound is not sound only. The spiritual lyrics from the singing bowl as the protagonist, who is the intangible guide, leads people to go through the circuit which is consisted and overlapped of the singing bowl’s presence, the consciousness, the spiritual transition, the human being and mind. Every world and layer is seamless and their border lines are blurry; the different images and events happen in a moment or vague time lines, that is difficult to define when is it, where am I going, what is next? In a lack of plot and causal efficacy, people cannot clearly know a situation, which is not only a dream or a spiritual landscape but also an out-of-body process, the immersion and embodiment with the sound and images.
也是個小挑戰
當人們討論實驗電影,通常會聯想到舊影像、模擬技術(analog)和菲林錄像。基於這種印象,我的作品用上了高飽和度的鮮艷顏色、數碼特效和虛擬鏡頭,希望指出:數碼科技和唯物主義實驗電影並不是對立的。
A Challenge
When people have talked about experimental movie, which would be associated to some old images, the analog technology or film work. I noticed the convention from the experimental movie, although experiment should not be something inside the box. Therefore, I used a bunch of high saturation motion graphic, digital effect and the hybrid of the actual and virtual camera in my work. I want to challenge, this kind of image also can
be a materialist and experimental approach.
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Basic Setting
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Screen Capture
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